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Her Curved Architecture (Notes on Lubaina Himid’s view of and for our world), at the Tate Modern until July 2022
What fits where, how well or badly, is one of the central preoccupations of Himid’s unusual and riveting retrospective at the Tate
Jan 27, 2022
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Sumaya Kassim
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Her Curved Architecture (Notes on Lubaina Himid’s view of and for our world), at the Tate Modern until July 2022
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December 2021
Maid (Netflix, 2021) and the problem of humanising abusers
I'd describe Maid as Twilight for adults with added intergenerational trauma but Twilight is also for adults (and what is being a vampire if not a…
Dec 8, 2021
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Sumaya Kassim
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Maid (Netflix, 2021) and the problem of humanising abusers
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August 2021
This is War/Art Institution as Battleground: War Inna Babylon: the Community’s Struggle for Truths and Rights at the ICA, until September 26…
Rarely has an exhibition raised the question (and the bar) of what an exhibition can or should achieve at times of crisis in such stark terms
Aug 22, 2021
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Sumaya Kassim
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This is War/Art Institution as Battleground: War Inna Babylon: the Community’s Struggle for Truths and Rights at the ICA, until September 26
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July 2021
I struggle to imagine my own depths
Notes on internalised Islamophobia
Jul 30, 2021
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Sumaya Kassim
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I struggle to imagine my own depths
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Cut From the Same Cloth shows life in Britain as you’ve never seen it. Read it.
This is the first in a two posts relating to the essay collection. The second one is about a story I wrote in my essay (featuring an author on a panel…
Jul 14, 2021
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Sumaya Kassim
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Cut From the Same Cloth shows life in Britain as you’ve never seen it. Read it.
sumayakassim.substack.com
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a newsletter for the things that make/made me snap
Welcome to Snapped Rib by me, Sumaya Kassim. I'm a writer based in Birmingham trying to figure out how to make the world a better place through words…
Jul 14, 2021
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Sumaya Kassim
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a newsletter for the things that make/made me snap
sumayakassim.substack.com
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